Guide · Story and history

The kecak dance story, from the forest to the fire

There are no spoken words and no programme notes in the circle. Know the kecak dance story before you sit down, and the chanting, the masks and the fire scene all fall into place.

Check availabilityfrom $9 · no cancellation fee

Editorial team, kecakfiredanceshow.comUpdated October 26, 20266-minute read31 sources

The story in brief

01The epic
A chapter of the Ramayana: Rahwana abducts Shinta, and Hanoman helps Rama rescue her.1
02The climax
Hanoman's fire dance, when he burns Rahwana's palace.2
03The chorus
The circle of men stands for an army of monkeys.3
04The origin
Shaped in the 1930s by Wayan Limbak and Walter Spies.4
05The roots
The sacred Sanghyang dance, performed to ward off negative spirits.5

A chapter of the Ramayana, told without words

The kecak dance story comes from the Ramayana, one of the great Hindu epics, and the stage version takes only one part of it. The Uluwatu temple management sums it up: Prince Rama and his wife Shinta are exiled to the forest, the demon king Rahwana abducts Shinta, and in the battle that follows the white monkey warrior Hanoman plays a crucial part in rescuing her.1

The Ministry of Tourism describes the same focus: kecak usually presents the part of the epic in which Sita is kidnapped by Ravana and Rama fights back with the help of Hanoman and his army of monkeys.6 Shinta and Sita are the same heroine, Rahwana and Ravana the same demon king; Bali uses its own spellings.

Nobody speaks a line. The characters tell the story through hand gestures, facial expressions and graceful steps, with no spoken dialogue, the Ministry notes.7 That is why it pays to know the outline before the first chant: once you can tell Rama from Rahwana and recognise the white monkey, every movement in the circle reads as part of a plot rather than a spectacle.

The plot in order

The kecak, scene by scene

  1. In the forest

    Rama, Shinta, Lakshmana

    The exiles wander into the woods.8

  2. The abduction

    Rahwana takes Shinta

    He carries her off and holds her in his palace.8

  3. The search

    Hanoman is sent

    Sugriwa sends his commander to find Shinta.9

  4. The fire

    A circle of flames

    Hanoman escapes unharmed and burns the palace.10

  5. The battle

    Rahwana defeated

    The monkey troops come to Rama's aid.11

The scenes, one after another

The story opens in the woods. Prince Rama wanders there with his wife Shinta and his brother Lakshmana, and the giant Rahwana kidnaps Shinta and holds her in his palace.8 Watch for the moment the demon king appears in his mask and crown: from then on the chorus changes its mood, and the circle becomes the forest, the palace and the battlefield in turn.

Rama seeks help, and the monkey king Sugriwa sends his commander, the white monkey Hanoman, to find Shinta in Rahwana's palace.9 Hanoman is captured and put inside a circle of fire to be burned alive; instead he breaks out unharmed and burns Rahwana's palace.10 This is the scene behind the name kecak fire dance, and it comes late.

The ending belongs to the alliance. Sugriwa and Hanoman come to Rama's aid with the rest of the monkey troops and defeat the evil king once and for all.11 The management describes the climax as Hanoman's fire dance and calls it the triumph of good over evil.2 Stay to the end; the last scenes resolve what the fire began.

Who is who

The characters you will see in the circle

Name in BaliAlso writtenRole
RamaRamaThe exiled prince
ShintaSitaHis abducted wife
LakshmanaLakshmanaRama's brother
RahwanaRavanaThe demon king
HanomanHanumanThe white monkey warrior
SugriwaSugrivaKing of the monkeys

Names and spellings as the Ministry of Tourism and the Uluwatu temple management give them.12198

Three figures to follow

The hero, the villain and the white monkey

Rama and Shinta, The exiled couple The heart of it

Rama and Shinta

The exiled couple

Look for
Gold crowns, slow steps
Scene
The forest
Fate
Reunited
Book the show
Rahwana, The demon king The villain

Rahwana

The demon king

Look for
A fierce mask
Scene
The abduction
Fate
Defeated
Book the show
Hanoman, The white monkey warrior The hero of the fire

Hanoman

The white monkey warrior

Look for
White costume, quick moves
Scene
The burning palace
Fate
Victorious
Book the show

What to watch for

If you notice only one thing

Choose what draws you most

Watch Rahwana's entrance

From the abduction on, the chorus turns the circle into his palace.8

Wait for Hanoman

His escape from the circle of flames comes late in the hour.1013

Follow the soloist

He sets the high and low notes and narrates.14

Listen to the cak

It is believed to drive away evil spirits.15

Watch the hands and eyes

Mudra and facial expressions tell the story without dialog.7

Inspired by the sacred Sanghyang dance, which is performed to ward off negative spirits, they adapted the ritual into a dramatic storytelling dance based on the Ramayana epic

Uluwatu Temple (official site of the managing body)Source 5

Why it is called the Bali monkey dance

The kecak also goes by the name Bali monkey dance, and it makes sense once you see the circle. The chanting chorus of men represents an army of monkeys, according to the Ministry of Tourism, and the hero of the fire scene is a monkey too, the white warrior Hanoman.31

The monkeys of the story are allies, not tricksters. They are Sugriwa's troops, sent to help Rama and to find the captive Shinta, and they win the battle at the end.911 The repeated cry of the chorus, cak, is the sound of that army, and its rise and fall carries the action forward when no instrument plays.

At Uluwatu the name has a second meaning. Long-tailed macaques live around the temple, about 650 of them according to the management, and they are believed to be the temple's guardians.1617 The temple even has a statue of Kumbakarna, a warrior from the Ramayana, among its monuments.18 Here, story and setting overlap.

Checklist

Before the first chant

01

Know the cast

  • Rama, Shinta, Rahwana, Hanoman, Sugriwa
  • Shinta and Sita are the same heroine
  • The fire scene comes near the end
02

At the show

  • Stay to the final battle
  • No flash, for the performers
  • Seats with a clear view of the circle

Video

How the Ramayana lives on in Bali

Nothing loads until you tap play.

Kecak dance history: from trance ritual to stage show

The kecak dance history is shorter than its ritual look suggests. Uluwatu's managing body credits it to the Balinese artist Wayan Limbak, who worked on it in the 1930s alongside Walter Spies, a painter and musician from Germany.4 Their source was older: the sacred Sanghyang dance, performed to ward off negative spirits, which they adapted into a storytelling dance based on the Ramayana.5

The Ministry of Tourism is frank about the purpose. It describes the sanghyang as a dance to summon ancestral spirits, and says Limbak and Spies added dramatic elements from the Ramayana to attract foreign tourists.19 They then took the new form on a world tour, and it has been popular ever since.20

A tourist form did not stay a tourist form. The Ministry notes that kecak, though first developed for visitors, has become an essential part of Bali's cultural identity, and that art schools and cultural studios keep training the young in its movements.2122 It is not among the nine Balinese dances inscribed by UNESCO, whose list names Barong Ket, Legong Keraton, Rejang and the rest of the nine.23

Kecak dance meaning: the circle, the sound and the fire

Ask about the kecak dance meaning and you get three answers, one for each element of the show. The circle first: the management explains that the round formation of chanting men signifies unity and spiritual protection.24 The chorus sits cross-legged, raising their hands and shaking their bodies to the rhythm, the Ministry adds.25

Then the sound. In Balinese tradition, the Ministry says, the cry of cak is believed to drive away evil spirits and bring protective power.15 That links the stage show back to the Sanghyang ritual it grew from, a dance meant to keep harm away.5 Listening for the changes in the chant is as much a part of the evening as watching the dancers.

Finally the fire. The fire used in the performance is believed to have purifying and protective properties, the Uluwatu management writes, and the scene in which Hanoman burns Rahwana's palace stands for the triumph of good over evil.242 By the time the flames appear, the meaning has been built up for most of an hour.

How the chorus carries the story

There is no gamelan. Kecak relies entirely on the synchronized chanting of a large male chorus, the management says, producing its famous cak-cak-cak.26 The Ministry counts the circle at about 50-60 bare-chested men in Balinese sarongs, sitting around a set of torches, and elsewhere puts the number of performers at tens to hundreds.2728

Within the chorus one voice leads. A soloist indicates the high and low notes and also acts as narrator, which is how the story moves forward without spoken lines.14 Watch the leader as well as the dancers: when the rhythm speeds up or breaks off, a new scene is beginning.

Light is the last instrument. The show is held in the open air at sunset, and as the story continues into the dark the only light comes from flickering bamboo torches, the Ministry describes.29 At Uluwatu the performance usually begins while there is still some daylight, so the story literally moves from day into night.30

Watching with the story in mind

Knowing the plot changes where you look. In the first minutes, while the chorus settles into its rhythm, find Rama and Shinta: the couple moves slowly and gracefully, and their gestures set the gentle mood that Rahwana is about to break. When the demon king arrives, the chant sharpens and the circle tightens around him.

The middle of the show belongs to the search. Hanoman's arrival is easy to spot, a white figure moving faster and more playfully than anyone else in the circle, and the management's own article notes that the fire sequence follows only once the conflict and the characters are in place.13 If you have read the outline, the capture and the circle of flames come as a payoff rather than a surprise.

Afterwards, the temple has its own echo of the epic. Uluwatu's statue of Kumbakarna depicts a warrior from the Ramayana, standing among the cliffs where the macaques live.18 A look at it on the way out ties the evening together: the same story you just heard chanted is carved in stone a short walk from the stage.

Your seat

The kecak on the cliff, on the evening you choose

One-hour show ticket, temple entry paid at the gate, free cancellation up to 2 days before.

You ask,we answer.

What story does the kecak tell?

A chapter of the Ramayana. Rahwana abducts Shinta, and the white monkey Hanoman helps Rama rescue her.1

Who is Hanoman?

The white monkey warrior. He is the commander sent by the monkey king Sugriwa to find Shinta, and the hero of the fire scene.910

What does the fire mean?

Purification and protection. The fire is believed to purify and protect, and the burning palace stands for good over evil.242

Who created the kecak?

Wayan Limbak and Walter Spies. The Uluwatu management says they developed it in the 1930s from the sacred Sanghyang dance.45

Why is there no music?

The voices are the music. Kecak uses no instruments; a large male chorus chants the rhythm, led by a soloist.2614

Is kecak a UNESCO heritage dance?

It is not among the nine. UNESCO's 2015 inscription covers nine dances, including Barong Ket and Legong Keraton, but not kecak.3123

Do I need to understand the story?

It helps a great deal. No one speaks; the dancers tell the story through gestures and expressions.7

Sources

What this text is based on

  1. 1
    Uluwatu Temple (official site of the managing body)Uluwatu Kecak Dance
    ↩
  2. 2
    Uluwatu Temple (official site of the managing body)Uluwatu Kecak Dance
    ↩
  3. 3
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  4. 4
    Uluwatu Temple (official site of the managing body)Uluwatu Kecak Dance
    ↩
  5. 5
    Uluwatu Temple (official site of the managing body)Uluwatu Kecak Dance
    ↩
  6. 6
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Kecak Dance: the Meaning and Its Philosophical Movements
    ↩
  7. 7
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Kecak Dance: the Meaning and Its Philosophical Movements
    ↩
  8. 8
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  9. 9
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  10. 10
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  11. 11
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  12. 12
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  13. 13
    Uluwatu Temple (official site of the managing body)Why Uluwatu Kecak Dance Is Still One of Bali Must Watch Shows
    ↩
  14. 14
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  15. 15
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Kecak Dance: the Meaning and Its Philosophical Movements
    ↩
  16. 16
    Uluwatu Temple (official site of the managing body)Conservation & Wildlife
    ↩
  17. 17
    Uluwatu Temple (official site of the managing body)Conservation & Wildlife
    ↩
  18. 18
    Uluwatu Temple (official site of the managing body)Uluwatu Temple
    ↩
  19. 19
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Kecak Dance: the Meaning and Its Philosophical Movements
    ↩
  20. 20
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  21. 21
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Kecak Dance: the Meaning and Its Philosophical Movements
    ↩
  22. 22
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Kecak Dance: the Meaning and Its Philosophical Movements
    ↩
  23. 23
    ANTARA, Indonesia's national news agency9 Balinese dances become world cultural heritage
    ↩
  24. 24
    Uluwatu Temple (official site of the managing body)Uluwatu Kecak Dance
    ↩
  25. 25
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Kecak Dance: the Meaning and Its Philosophical Movements
    ↩
  26. 26
    Uluwatu Temple (official site of the managing body)Uluwatu Kecak Dance
    ↩
  27. 27
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  28. 28
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Kecak Dance: the Meaning and Its Philosophical Movements
    ↩
  29. 29
    Ministry of Tourism, Republic of Indonesia (indonesia.travel)Ubud's Kecak Dance: Enchanting Tradition
    ↩
  30. 30
    Uluwatu Temple (official site of the managing body)Why Uluwatu Kecak Dance Is Still One of Bali Must Watch Shows
    ↩
  31. 31
    UNESCO Intangible Cultural HeritageThree genres of traditional dance in Bali
    ↩
Uluwatu kecak and fire dance ticket 4.2 (5,457) · Free cancellation Frequently fully booked 6 days in advance from$9 Check availabilityfrom $9